I am so pleased! I am one of many thousands of pretty unremarkable individuals who want to do something that is collectively amazing. Burgess creates and extreme vision but fills it with drugs, sex and deviant behaviour.
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Thank you for your wonderful service. The Ivory one you sent last time was perfect! Really love your product and your service! I am glad I found your company and looking Not only do my legs hurt like a beast, but so do my ribs. And my back — in fact everything really hurts. It makes no real sense to try to set myself up to run stagger, walk, mince for the fabled So why do it? Because I have 10 finishers medals, and I want another one. Because I love it. This is a question that Burgess asks the reader, making them consider their own lives and choices.
This is, therefore a question to society in general. Society needs to decide on the direction it wishes to take. Burgess said that the novel should not be viewed as either a dystopian or pessimistic vision of the future — but as a current, matter-of-fact take on the choices faced by both individuals and societies in general. Burgess shows that we do, indeed make choices when we are young — however, we are also subject to the repression and control of older generations as well as both societal and state conventions and interventions.
What was, indeed, going to become of these people and their world. The upheavals of the time would certainly have asked questions of the establishment and forces of law and order. Suddenly there was not only music for — and only for — youth, but the same was true for clothing, film, transport — everything. Young people were becoming less and less likely to do as they were told by their elders.
By inserting himself into the story as F. Alex refers to F. Burgess wrote the novel at a time of youthful rebellion which often found its expression in conspicuous acts of violence. Alexander takes pity on the destitute and friendless Alex in part 3, he starts to remember who Alex is and what he has done to him. He feels angry and wants revenge. Is this Burgess articulating a sense of rage and envy felt by the older towards the young? By recognising his erstwhile tormentor, does F. Is Burgess suggesting that the older will always feel that those they have raised and nurtured treat them with hostility and ingratitude?
Alexander is eventually incarcerated as a political threat. Burgess here recognises that while Youth might have the physical presence and potency, they lack real influence and organisation. As Alex becomes manipulated and exploited by F. Alexander is quietly disposed of and Alex is feted by the government.
At the time of writing it, Burgess had been diagnosed with a terminal illness and given a matter of months to live. The diagnosis was wrong, however, there is a sense that Burgess uses the novel to explain a youth that was full of promise, yet diverted by negative influences and adolescent lusts and distractions. Burgess creates and extreme vision but fills it with drugs, sex and deviant behaviour. Burgess explains that while the young think they are in command, this is an illusion and those in charge will only let them have the power that they allow them to have.
Does the fact that F. Alexander is silenced by the government reflect a feeling from Burgess that he is not being listened to? If so, this is neatly expressed by Alex when he ponders a future with a wife and son.
Alex knows that he will try and share his wisdom with his son — but the son will not listen. Alex accepts that this is the way of things; whether this is Burgess voicing a similar acceptance, or resigned frustration, is open to debate. The natural reaction — and surely the one that Burgess intended — is of shock and dis-belief. However, the way that Alex refers to his actions, especially the sexual ones, betrays an immaturity which is more in-keeping with adolescent sniggering than the expression of a worldly-wise alpha-male.
Yes, Alex robs with violence and combines sexual aggression with theft and destruction. However, a cursory search through newspaper archives are the internet will very quickly provide examples of all the crimes and misdemeanours that Alex is guilty of perpetrated by young people of a similar age; sometimes even younger. The final line of Part One is designed to test the reader. The natural, shocked response perhaps indicates a lack of being in-touch with the reality of the world.
Popular culture presented a new, young audience with role models that rejected conformity and inspired rebellion. Rebellion and rebelliousness became fashionable.
And, famously — or notoriously — some cinema audiences in the UK responded by tearing-up their seats, http: The two camps were very much at odds with each other in every way: The Teddy Boys, Rockers and Mods all created a degree of moral panic and fear for the future amongst those older — and perhaps younger than them.
Burgess realised that the apparent lack of reason and sense for the fighting etc was the whole point. The purpose of doing it meant sense to those involved — but they had no interest in explaining it to anyone else. A lack of understanding made it special. We are not meant to understand; no one outside the culture ever truly does. Burgess realised this and reflects in the way Alex and his peers talk. This is intentional — the reader is not meant to understand it because it belongs to Alex and his generation.
Sometimes this is perhaps done to confuse the forces of law and order — but it is just as much a statement of fellowship. A shared language that is not universally understood is compelling and exciting for those on the fringes of society. If this seems an unlikely thesis, then consider how talk — and how, particularly amongst your own age, you can make yourself understood with half-words, incomplete sentences, questions and nonsensical phrases: They fit and instantly make a strange kind of sense.
Alex sees sex as purely recreational and combines it with violent, dominant and destructive behaviour. Pinky views sex as distasteful and is revolted by the idea. In this, he is interestingly similar to the post-treatment Alex. Both characters have contrasting views, yet both use euphemism when referring to sex. Alex is particularly juvenile in-out-in-out and when his youth is revealed at the end of Part 1 the expression truly seems like the language of an inexperienced, sniggering adolescent rather than a dispassionate and aggressive sexual predator.
The fact that he can find no other words suggests a lack of understanding as much as antipathy.
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